Experience the beautiful and timeless hymn “Abide with Me” like never before with our string quartet arrangement. Composed by the English organist and composer Henry Francis Lyte in 1847, this hymn has been beloved by generations for its poignant lyrics and soaring melody. This arrangement is not suitable for singing, but it is perfect for adding a sense of reflection and beauty to any church service as background music. Arranger Ben Clapton has brought a fresh and dynamic interpretation to this classic hymn, ensuring that it will be a highlight of any service. Whether you are looking for music to accompany a reflective church service, funeral, or other special occasion, our “Abide with Me” string quartet arrangement is sure to add an extra layer of meaning and emotion to your event. With its rich harmonies and soaring melodies, this arrangement is sure to be a hit with both musicians and music lovers alike. So why wait? Add this beautiful piece to your service today and bring a touch of timeless beauty to your next event.
This is a string quintet arrangement of the beloved holiday classic, “Silent Night.” This arrangement features violin 1, violin 2, viola, cello, and double bass, and is perfect for use in worship settings. The included lead sheet allows for easy integration into a worship band setting. Our arrangement captures the peaceful and serene atmosphere of the original song, while adding a lush and full sound through the use of the full string quintet. The piece is suitable for intermediate to advanced musicians, and is sure to be a beautiful and meaningful addition to any holiday service. Don’t miss out on the opportunity to add this stunning arrangement to your holiday repertoire. Purchase “Silent Night (String Quintet)” today!
This upbeat hit by Onerepublic features in the film Top Gear: Maverick. Arranged here for String Orchestra (with optional drums), it’s filled with driving melodies that perfectly capture a sun-filled summer day. The first violin part heads into fifth position, but all other upper string parts can comfortably be played in first position. There is an optional 3rd violin part which doubles parts of the 2nd violin and viola parts, and fills out parts of the harmonies at times.
Jordan Davis’ fantastic track, Buy Dirt was released in July 2021. Davis co-wrote this song with his brother Jacob, as well as brothers Josh and Matt Jenkins. Davis was reflecting on his friendship with Luke Bryan, and how he was a great dad, husband and friend. This song draws on that, creating a song that is all about faith, family, friends and really finding your happiness. Buy Dirt peaked at number 4 in the US Hot Country Songs, and number 6 in the Canada Country charts.
Me! – by Taylor Swift and Brendon Urie – performed by two violins, piano, acoustic guitar, cajon, and tamborine. All instruments performed by Ben Clapton.
ME! was written by Taylor Swift and Bendon Urie (From Panic! at the Disco), released on April 26, 2019. This arrangement is for two violins, one taking Taylor’s part, and the other Brendon’s part. This gives both players the opportunity to shine. A Piano part accompanies, and a suggested cajon part, although this could easily be replaced by drums.
ME! is a bubblegum pop song about embracing your individuality and owning it. It’s a tune that can get stuck in your head and makes people feel better about themselves.
Two violin and piano accompaniment. List price: US$10.00. Buy it at Sheet Music Plus.
I am enjoying living close to work at the moment. It’s a ten minute walk to my workplace three days a week, and this week, I’ve been walking home in order to get some arranging done.
It’s something that I’ve been embracing more since I am not playing my violin as much any more, so this is something that I can use my musical skills in. I’ve arranged a couple of worship songs so far for the songsters at my church, and I’m working on another arrangement at the moment, this time of the hymn “There’s Power in the blood”.
I pulled this song out at a recent Chrysalis retreat and the guys really got into it. As the weeks went on, I couldn’t get the song out of my head, and it turned from this slightly rock, slightly rockabilly version into this kinda jazzy version that I’m now arranging. I’m working through this arrangement and hope to have it done really soon.
After that, I’m thinking I might have a go at a brass band arrangement. Got a few ideas running around, just need to see what would work well.
I went to Church yesterday, and halfway through, Liesl comes up to me and says “I think they’re doing your song for the songsters message.” Indeed they were, the Songsters message was my arrangement of “Let the weak say, I am strong” by Rueben Morgan. Thanks to not being able to sing (would be too tough for me to get up there with my knee) I instead headed up to the sound desk at the back to record it on my phone.
This wasn’t exactly a complete performance, as there is actually a violin part at the beginning. However, I did write it so that if a corps didn’t have a violin player (which, to be honest, there would be more corps without any musicians than corps who have a violin player), it could still be performed and have the same effect.
I’m really pleased with this arrangement. I think that within it all, every part has beautiful lines that are just a pleasure to sing. Of course, the sopranos have most of the melody. But the lines that I’ve written, particularly the Tenor and Basses are just beautiful. It’s a bit hard to hear in the recording, but the Basses have this great line in the chorus which provides a fantastic grounding to the chorus, while the Tenors get this lovely moving part. I’m also really impressed by the dynamic change in the final couple of lines, which I think provides a real lift to that final line, “Jesus died, and rose again.”
Hope you enjoyed it, and I’ll hope to get a few more out soon.
I hadn’t realised that I had forgotten to upload this to my site. This is an arrangement I had made of Pachelbel’s Canon in D, arranged for Solo Violin. It is much adapted and abridged, and makes use of double stops to make the illusion of multiple voices in some parts, while reverting to single lines where necessary. Uses only the “interesting” parts.