Concertino in G, Op. 11 – Küchler

German composer Ferdinand Küchler wrote this piece in 1934 and it became a staple in the beginner violin repertoire. Küchler was a renowned violin pedagogue, and his writings on teaching went on to shape violin pedagogy into the 1960s.

This concertino of three movements was written to be performed in the first position. The first movement, Allegro Moderato, is written in sonata form, features an arpeggiated main theme, a tranqillo second theme, with some scalic passages and a repeated quaver development of the first theme. The second movement, Andante, in 3/4, is in an extended Ternary form (AABA). The final movement, entitled Rondo with a tempo marking of Allegro, is written in rondo form, and includes a number of beautifully crafted melodies.

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Concerto in D Maj, Op. 36 – Rieding

A concerto which remains entirely in first position, this concerto contains catchy melodies yet still provides some technical challenges to stretch the player. First published in 1911, some 7 years before the composer’s death (1840-1911)

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Czardas – Monti

Composed by Italian composor Vittorio Monti (1868-1922) in 1904, Csárdás was originally written for violin, mandolin or piano, and runs for about four and a half minutes. Written in seven different sections, it alternates tempo and occasionally key to add interest and excitement.

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